I’ve never been a fan of making vampires heroic or sympathetic. Lee’s Dracula wasn’t quite as perfect here, but Cushing’s performance feels effortless, and the physiques of both pump a lot of energy into what would have been a very lethargic movie. dracula horror It sounds great, has great music, and its shortcomings can easily be overlooked when Lee and Cushing collide on screen. The female leads are stiff, the scale is constrained by a slim budget, and there are hardly any lines from Stoker in the dialogue.īut if it’s not the best Hammer company, that doesn’t mean it’s not good. However I can’t say it was among my favourites. It’s hard not to give more weight to this film It was the first time that Christopher Lee had played Dracula, and Peter Cushing played Van Helsing.
BOOK OF DEMONS BEST CLASS SERIES
Hammer’s opening entry in the Dracula series is highly regarded among horror circles. Just don’t call anyone named Johnny Alucard ( Christopher Naama).
BOOK OF DEMONS BEST CLASS MOVIE
Hardly anyone is afraid of this movie today, but it’s great for a Halloween party. but he and Peter CushingHe managed to capture a lot of ancient magic here. He wasn’t happy with the Hammer Dracula series for years at this point. The movie is dated in charming waysĬhristopher Lee was one of those people who didn’t have fun.
But the juxtaposition of traditional Gothic horror with the hip scene of the 1970s in London is so absurd, I can’t help but love it. And the real villain is the heroine Catherine ( Louise Albritton), who manipulates Dracula and her family in an attempt to immortality.ĭracula’s casting in the 1970s was an obvious act of desperation by Hammer, and Dracula M 1972 Nobody’s idea of a masterpiece. It has a lot of Gothic-Southern Gothic vibes, that is, as the movie is set in Louisiana Bayou. Like Dracula (which is the same Dracula here, despite the title). Of the two, son of dracula She has a lot to recommend, even with a bad misinterpretation like every American Lon Channy Jr. Not both are as quirky, ambitious, or memorable as their counterparts Whatever their budgets and production history, the end products pay off as regular programmers. Dracula’s daughter And the son of dracula suffer from comparison.
frankenstein bride And the son of frankenstein They are two of the best entries in the Universal Horror Code. But I’ll readily admit that Universal gave the latter the best sequels. I have always preferred Dracula to Frankenstein.
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